Monday, January 26, 2015

Rock's Not Dead: A DJ's thoughts on realism, Rock n Roll and the future

Why I'm Not Giving Up on Rock n Roll

Here's some food for thought for you to disregard if you like...I'm not as quick to say "rock is dead" as Kiss' Gene Simmons. I do not subscribe to the theory that it is completely gone, it's evolving. The way I see it, since its' inception, it has always been evolving. There is one old stand by you can be sure of, not everyone is going to agree on what constitutes rock n roll. People aren't going to agree, and some are going to be scared as hell of it. Some of you, dear readers, are going to dismiss my next statement because I was not born of the era, however, remember when Elvis was the subject of controversy? He scared the pants off of every broadcasting station, nay every parent in these good ol'  United States...with his charm and pretty face and swiveling hips--HOW DARE HE! Right? But he was what the kids of that era loved. Boys wanted to be him and score all of the groovy chicks, and girls wanted to be with him...and he could croon a tune that made em' swoon. We started to like him more and more because...

Then came The Beatles...those four lads from Liverpool. Holy crap. They were tall, they were handsome, they were foreign. We liked them because they were rebellious. They were rebellious in that "rebel without a cause" kind of way. Parents were then scared out of their minds again, because their daughters were going bananas over boys they found objectionable. Little did the parents know they were playing into the hands of the machine. The kids loved them because the parents didn't...y'know until Lennon decided to say that they were "bigger than Jesus". Of course, I have it on good authority that he was probably right. (*gasp* am I still here?!) The parents thought "that's not music" on both counts. 

Then in '67, things really started getting weird. The Beatles found enlightenment with Sgt. Pepper, The Turtles wanted to follow in their footsteps (and how I love them!) and then came The Doors.

Named for "the doors of perception", they really did give you something to think about. Lead by their poet laureate, Jim Morrison, they gave us driving beats and killer lyrics. C'mon, "the killer awoke before dawn..." chilling, right? Of course, one of my favorite tunes by The Doors has to be Crystal Ship. I also like "The End", which rounded out their debut album. The Doors managed to piss off Ed Sullivan, and once again freak out every parent in America. 

Of course we can't forget the "colored" acts, or "race music" like James Brown, The Temptations, Little Richard, just to name a few. Parents decided they hated them due to the heightened racial tensions of the time, and they are perfectly acceptable, and even deemed classic now. That's truly where it all began.

My point here is not to offend but to point out that even these acts, all stemmed from one place, influenced each other or was influenced by, and evolved into something different, taking into account what the previous generation learned.

A new commercial out featuring Blondie made me remember that even rap music, which started from the street and literally came "up from the underground", influenced rock n roll. When Blondie released "Rapture" in 1980 from the album "Autoamerican", some could argue that Debbie Harry was the first white female rapper. Remember when Aerosmith and Run DMC collaborated for a version of "Walk This Way"? Some critics thought the idea was refreshing, and admittedly some didn't; even the respective artists themselves had some reservations, but they came together and pulled it off, much to the delight of fans. 

I think in this respect, different genres emerged, and some even worked together for a common cause: music speaks. Music is for everyone. Even today, with the rise of music piracy and iTunes and the age old battle of the artist not seeing as much profit as they should, rock n roll is evolving yet again with "indie" rock, independent labels, bandcamp, soundcloud...you get the picture. Independence is the newest evolutionary leap in the annals of Rock History.  The premise is still the same, it chooses you...it keeps you company on your iPod or in your car or whatever; when you turn it up, it turns you on. 

As long as people keep getting off on the buzz, rock and roll will thrive, what it sounds like is up for interpretation, but I think the genre will go on existing in its' many forms until...forever.





Monday, July 21, 2014

New Year. New Post.

Alright friends,

It has come to my attention that I have missed several posts. I've been doing my radio show, and going to rock shows! Here's the thing, I'm in the process of moving houses and possibly jobs (big thanks to the groovy folks at Z 93 The Lake, the numero uno station for the freshwater coast! Big shout outs to Mike Willis and Mike Anderson!)

Anyway, I've decided I should write as much as I can, and often. Life is too precious to be ignored.

This is Dreiberg. Have some Dreiberg. Seriously though, I have loads of respect for these cool cats. You might have seen them around town, and if you haven't I suggest you do! What I like about them is they have original tunes (my personal favorites are Icon, Keep Dancing and Endgame..to name a few.) But they also know what gets Soda City's college crowd going, I've noticed people enjoying their fresh take on songs like Weezer's "Say It Ain't So". There is something for everyone.

Their stage presence is unlike anything I've seen before. Their chemistry is electric...and they're very, very witty; a true entertainment delight that gets better and better with each show.

I've been keeping my eye on these two for some time now, and with Rich Owensby's screaming guitar and vocals, and Brett Wider's driving drums, the howling dogs of rock n roll could not be happier. I can't wait to see what they get up to next on their amazing journey.

To check out all things Dreiberg and to buy their EP, head on over to http://dreibergband.bandcamp.com and be sure to like them on Facebook at http://www.facebook.com/dreibergband

They may be coming to your town!






Saturday, November 9, 2013

Rock So Hard You Can Climate

In honor of a video project I'm doing for class, I'm offering up a written account of the first rock show I'd ever been to since moving back to the Soda City, after two whole years of being away. I guess you can take the girl out of rock and roll, but you can't take the rock and roll out of the girl. Anyway...

When I first walked in to Conundrum Music Hall in West Columbia on that September night, I had no clue what to expect. The day before I sat in on a live session from my friends Josh and Mike from The Columbia Beet, a show with the college station I once again work for. The artist there was Ahomari, and I thought he was pretty good, so when I realized he'd be at Conundrum, (which is so close to my house I could probably throw a rock at it--but I won't.) I had to go.

Down the rabbit hole she goes...

My life was changed forever.

This article in particular is about The Lovecrafts, a four piece band hailing from all corners of South Carolina. Now, it's interesting to admit, but as if their name wasn't enough of a lure, the songs were the ultimate hook. I got my taste of these four lads from their time on The Beet, with a little song about the Pop-glitter sensation, Ke$ha. I fell out of my chair laughing, and in love with The Lovecrafts.

So, that Saturday night I sat in the back of the hall, feeling utterly nervous for some reason. Turns out I had a reason to be. Included in The Lovecrafts set were the songs, "Bounce" and "Micah (Scrawny White Girl)". Okay, so these two songs made me giggle and blush...I was really glad it was dark in there! It kind of scared me a little, admittedly I'm not used to hearing things like "Get up on my balls and bounce." Or "...you'd look better wearing nothing but my boots."

My ears! My heart! Lions, and Tigers, and Bears! Oh my!

I quickly realized they had a sense of humor that was a force to be reckoned with. Of course, the humor is part of their charm, and it's why I'm drawn to them. They're really fun to watch live, the onstage chemistry between them is a four-way street of humor filled electricity. Benji, I call him the Elder Statesman of the band, introduced everyone in between "Ke$ha".

Tyler-The Gargoyle
Brett-Benji's Boy
Lloyd-  That Thing (I call him strange bearded thing)
Benji- (Himself as Rick Springfield)

And then afterward, Tyler took us all back to church and testified like I'd never seen before. It was a Rock & Roll Revival for sure.

Since this was my first concert, and this is a review, I suppose I should offer up an opinion of how good I thought they were.

By no stretch of the imagination, Brett's drumming was incendiary. That's the only way to describe it. Benji's guitar playing made me feel like lightning was running through my entire being, accompanied by Lloyd's John Entwistle style bass playing. Tyler's tenor sax and keyboard playing was something I later likened to The Moody Blues, or ELO. I saw the future, it was white hot. Think "Days of Future Past" or "Livin' Thing".

The Lovecrafts are a sight to see, and it's this DJ's mission to be there for the next time they surprise us all.

The Lovecrafts' latest EP, Seriously? is available for digital download as a free offering, (though contributions are greatly appreciated) through their Bandcamp at http://thelovecrafts.bandcamp.com
Tyler (Tenor Sax & Keyboard) and The Soda City Sweetheart







Tisha  (new friend) & Lloyd (The Strange Bearded Thing/John Entwistle II)